
“Creation: Day Five” (Cappella Palatina. Palermo, Sicily. 1140-70.)
“We knew not whether we were in heaven or on earth, for surely there is no such splendour or beauty anywhere on earth. We cannot describe it to you; we only know that God dwells there among men….” (Grand Prince Vladimir’s envoys on their impressions of Hagia Sophia and its liturgy)
Beauty—what is it? Something quite indefinable that is often taken for granted, whether by laymen or professionals in the area of æsthetics: something that is nevertheless there, whose presence beholders admit without any full or clear explanation. The beauty of an object or living creature may unite people in a moment of consensus, whether silent or verbalised, who would never agree with each other on any other kind of subject.
This world was created by God, and God saw that it was very good. The Septuagint’s καλὰ λίαν (kala lian) can equally well be translated as very beautiful . Living in our post-lapsarian world we can understand the general idea that there is good and evil, beauty and ugliness, difficult though it is to get into details. Some might say that there is more beauty in a young deer than in an octopus; others can add that there is more beauty in an octopus depicted on a Mycenaean vase than in a living prototype. Ancient Greeks definitely knew something about beauty, and we are still applying the laws that they discovered. “Man is the measure of all things: of the things that are, that they are, and of the things that are not, that they are not”—these words of Protagoras of Abdera (c. 490-c. 420 BCE), together with the Canon of Polykleitos, give us no choice but to admit that Man is the key. Read More



