CALL FOR ARTICLES: FAITH IN A TIME OF PANDEMIC

What's the difference between pandemic, epidemic and outbreak ...

Christ is risen! Indeed He is risen!

Orthodoxy in Dialogue invites hierarchs, clergy, laity, young people, Orthodox Christians, Christians of other ecclesial or denominational traditions, adherents of religious traditions other than Christian, and atheists and agnostics who value dialogue with their fellow inhabitants of the world who belong to communities of religious faith, to submit reflections on the theme of faith in a time of pandemic

Share your experiences, your fears, your hopes, your struggles, your joys, your insights, and the complex place of religious faith during the most unsettling time that many of us have ever lived through. We envision the purpose of these reflections as gently reassuring one another that, wherever we live on our common planet, wherever we stand on our common path to God, we are not alone. We have each other. Read More


OPPORTUNITIES FOR GIVING

Blackbaud Reports New #GivingTuesday Record | Blackbaud

Orthodoxy in Dialogue offers a number of opportunities for our readers to exercise Christian charity on Giving Tuesday and beyond.

Note that only one of the following can offer a charitable receipt. Read More



DOCUMENTARY: CIRCUS OF BOOKS reviewed by Lydia Bringerud

Circus of Books
Ryan Murphy, Executive Producer; Rachel Mason, Director/Screenwriter
Netflix, 2019

circusCircus of Books, available on Netflix, is a documentary about Barry and Karen Mason, a wholesome, friendly straight couple who have made a career out of selling hard-core gay porn.

The documentary takes viewers through the story of how Barry and Karen left respective careers in cinematic special effects and journalism to run their L.A. business, a shop called Circus of Books.

The film is made by their daughter, which shapes the narrative arc into a story about their family dynamics. Karen in particular has an astute business acumen, but struggles to square the store’s success with her identity as a pious Jewish woman.

For example, she lived in fear that her fellow synagogue congregants would learn what she did for a living. The children were trained to respond to any questions about their parents’ occupations with, “They run a bookstore.” The family tension is heightened when one of their sons comes out to them as gay. One might expect that, after dealing in hard-core gay erotica for so long, the couple wouldn’t bat an eye. On the contrary, the documentary highlights a duality which may be familiar to Orthodoxy in Dialogue’s readers: being able to tolerate certain identities and lifestyles among other people but having great difficulty accepting them in one’s own family.

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