Reflective of Orthodoxy in Dialogue’s commitment to welcome a diversity of voices from within and beyond the Orthodox Church to our conversation, we are grateful to the editorial board of Women in Theology for this opportunity to introduce them to our readers around the globe. We urge you to visit them often, to read their articles carefully, and to engage with them thoughtfully.

Scene of April 23 van attack in Toronto.
On April 23 of this year, our two co-authors were on opposite sides of the Atlantic reading the same news about a horrific incident in Toronto. 10 people were killed and another 16 injured by a man who chose to drive his van down a kilometer of sidewalk in the north end of the city. Today [October 23] marks the six-month anniversary of this senseless and tragic event.
Over the course of two posts, Alexandria and Allison will unpack some of the ideological parallels between incel groups, ideas put forward as gospel by complementarian authors, and toxic masculinity more broadly.
In part one, we will examine the notion of toxic masculinity and compare the ways that incel culture and complementarianism perpetuate themselves. In part two, we will turn our attention to the ideological and rhetorical parallels between these two groups.
A note: this post discusses violence against women.
Genteel toxicity is still toxic. It is perhaps all the more insidious because its mask of respectability hides its discursive damage. Like the white moderate bemoaned by Dr. King, the gentle toxicity of the complementarian worldview might pose as significant a hurdle to the well-being of our society as its more aggressive secular counterparts, like the incel movement. In some cases, these groups speak in one voice; in others, the complementarian expression of toxic masculinity is the incel movement’s gentler, less crude echo. Read More




It seems almost by accident that I became a composer of Orthodox liturgical music. As a music student at Oxford in the early 1970s, I had written some rather complex modernistic pieces, some of which were performed at various concerts. While staying in Siena, Italy, in the summer of 1974, I had the audacity to show them to the famed Italian composer, Luigi Dallapiccola, who was presenting talks about his music at the Accademia Chigiana. (I vividly recall him pausing to catch his breath at the tops of hills as we walked about the city; his health was already failing, and he died early the following year.) For my postgraduate studies I had to decide between composition and musicology. After receiving no particular encouragement to pursue composition, I chose musicology, and around 1976 I stopped composing altogether, never expecting to return.